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Alaeddin \u00d6zden\u00f6ren, Ali Kutlay, Cahit Zarifo\u011flu, Erdem Bayaz\u0131t, Mehmet Akif \u0130nan, Nuri Pakdil ve Rasim \u00d6zden\u00f6ren\u2026 Onlar T\u00fcrk edebiyat\u0131n\u0131n 7 G\u00fczel Adam\u2019\u0131yd\u0131\u2026 Hepsi bu d\u00fcnyaya veda etti. Zarifo\u011flu, \u201c\u0130\u00e7im ey i\u00e7im bu yolculuk nereye, yine bir \u015fehrin \u00f6l\u00fcm\u00fcn\u00fc ba\u015flat\u0131r gibisin.\u201d diyor ya 7 G\u00fczel Adam kitab\u0131nda\u2026Peki kimdi bu edebiyat\u0131n \u201cg\u00fczel adamlar\u0131?\u201d Gelin beraber bakal\u0131m\u2026<\/p>\n
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Temmuz 1940’ta Ankara’da d\u00fcnyaya gelen Cahit Zarifo\u011flu<\/strong>, okuma-yazmay\u0131, resim yapmay\u0131 ve Kur’an-\u0131 Kerim okumay\u0131, okula ba\u015flamadan \u00f6nce, annesi Mara\u015fl\u0131 Evliyazadelerden \u015eerife Han\u0131m ile anneannesi ve mahalle hocalar\u0131ndan \u00f6\u011frendi.<\/p>\n Zarifo\u011flu, \u015eanl\u0131urfa’da ba\u015flad\u0131\u011f\u0131 ilk\u00f6\u011frenimini, 1951’de Kahramanmara\u015f’ta tamamlad\u0131.<\/p>\n Babas\u0131n\u0131n g\u00f6revi sebebiyle Zarifo\u011flu’nun \u00e7ocuklu\u011fu Silvan, Baykan, Siirt, Siverek ve K\u0131z\u0131lcahamam’da ge\u00e7ti. Usta kalem, lise son s\u0131n\u0131fta edebiyat ve matematik derslerinden b\u00fct\u00fcnlemeye kald\u0131\u011f\u0131 i\u00e7in 1955’te ba\u015flad\u0131\u011f\u0131 lise \u00f6\u011frenimini 1961’de bitirdi.<\/p>\n Kahramanmara\u015f’a d\u00f6nerek k\u0131sa bir s\u00fcre vekil \u00f6\u011fretmenlik yapan Zarifo\u011flu bir gazetede \u00e7al\u0131\u015fmaya ba\u015flad\u0131. Ba\u015far\u0131l\u0131 edebiyat\u00e7\u0131n\u0131n ilk \u015fiirleriyle denemeleri, yerel gazete ve dergilerde yay\u0131mland\u0131.<\/p>\n Lisede T\u00fcrk edebiyat\u0131n\u0131n \u00f6nemli isimleriyle dostluklar kurdu<\/p>\n Zarifo\u011flu ile T\u00fcrk edebiyat\u0131n\u0131n \u00f6nemli isimlerinden Rasim \u00d6zden\u00f6ren, Alaeddin \u00d6zden\u00f6ren, Erdem Bayaz\u0131t, Ali Kutlay ve Mehmet Akif \u0130nan’\u0131n Mara\u015f Lisesinde ba\u015flayan arkada\u015fl\u0131klar\u0131, “Dirili\u015f”, “Edebiyat”<\/strong> ve “Mavera” dergilerinde s\u00fcrd\u00fc.<\/p>\n Daha sonra “Yedi G\u00fczel Adam”<\/strong> olarak da hat\u0131rlanacak olan ayn\u0131 arkada\u015f grubu, 1956-1959 aras\u0131nda “Yenilik”, “Yeni Ufuklar”, “Se\u00e7ilmi\u015f Hikayeler”, “T\u00fcrk Sanat\u0131”, “Varl\u0131k”, “Yeditepe”, “Dost”, “Pazar Postas\u0131” gibi yay\u0131nlarda yer alarak, “Mara\u015f’\u0131n Sesi” gazetesinin sanat sayfas\u0131nda yaz\u0131 ve ele\u015ftiriler kaleme ald\u0131.<\/p>\n \u0130lk \u015fiir kitab\u0131 \u0130\u015faret \u00c7ocuklar\u0131\u2019n\u0131 ayn\u0131 y\u0131l kendi imk\u00e2nlar\u0131yla 1967\u2019de bast\u0131rd\u0131. \u015eair, sonradan kitab\u0131n\u0131n, da\u011f\u0131t\u0131m imk\u00e2n\u0131 bulamad\u0131\u011f\u0131 i\u00e7in yaz\u0131hanesine b\u0131rakt\u0131\u011f\u0131 ki\u015filerce \u0131s\u0131nmak amac\u0131yla yak\u0131ld\u0131\u011f\u0131n\u0131 duydu.<\/p>\n \u201cBu adam kitaplar\u0131n u\u00e7lar\u0131na<\/em> \u00c7\u0131kmas\u0131na \u00f6n ayak oldu\u011fu “\u0130nk\u0131lap” gazetesinde yapt\u0131\u011f\u0131 haberlerin yan\u0131 s\u0131ra g\u00fcnl\u00fck yaz\u0131lar yazan ve sanat sayfas\u0131 haz\u0131rlayan Zarifo\u011flu’nun bu sayfalardaki yaz\u0131lar\u0131, 1980’de \u00e7\u0131kan “Ya\u015famak” kitab\u0131nda toplad\u0131\u011f\u0131 g\u00fcnl\u00fcklerinin ilk \u00f6rnekleri oldu.<\/p>\n Zarifo\u011flu, 1961’de \u0130stanbul \u00dcniversitesi Edebiyat Fak\u00fcltesi Alman Dili ve Edebiyat\u0131 B\u00f6l\u00fcm\u00fcne girdi, uzun s\u00fcren \u00f6\u011frencili\u011fin ard\u0131ndan 1971’de mezun oldu.<\/p>\n \u0130stanbul’da \u00fcniversite \u00f6\u011frenimi g\u00f6rd\u00fc\u011f\u00fc d\u00f6nemde, Necip Faz\u0131l K\u0131sak\u00fcrek ile Sezai Karako\u00e7’un, Cahit Zarifo\u011flu’nun ki\u015fili\u011fi ve \u015fiiri \u00fczerinde b\u00fcy\u00fck etkisi oldu.<\/p>\n Yaz\u0131 hayat\u0131 boyunca lisedeki arkada\u015f grubuyla birlikte hareket eden Zarifo\u011flu’nun \u015fiirleri Mart 1966’da yeniden \u00e7\u0131kmaya ba\u015flayan “Dirili\u015f” dergisiyle “T\u00fcrk Dili” ve “Soyut” dergilerinde, Cemal S\u00fcreya’n\u0131n “Papir\u00fcs”\u00fc, Memet Fuat’\u0131n “Yeni Dergi”sinde yay\u0131mland\u0131.<\/p>\n Cahit Zarifo\u011flu, haftal\u0131k “Yeni \u0130stiklal” gazetesinin Rasim \u00d6zden\u00f6ren taraf\u0131ndan y\u00f6netilen sanat sayfas\u0131nda 1965’te as\u0131l ba\u015flang\u0131c\u0131n\u0131 yapt\u0131.<\/p>\n Abdurrahman Cem ve Cahit Zarifo\u011flu imzalar\u0131yla pe\u015f pe\u015fe 13 \u015fiir kaleme alan ba\u015far\u0131l\u0131 edebiyat\u00e7\u0131, bu \u015fiirleri 1967’de yay\u0131mlad\u0131\u011f\u0131 ilk kitab\u0131 “\u0130\u015faret \u00c7ocuklar\u0131”na ald\u0131.<\/p>\n Edebiyat \u00e7evrelerinde ilgiyle kar\u015f\u0131lanan, ilk kitab\u0131n\u0131 kendi paras\u0131yla \u00e7\u0131karan ve yeterince da\u011f\u0131tamad\u0131\u011f\u0131 i\u00e7in b\u00fcy\u00fck k\u0131sm\u0131 elinde kalan Zarifo\u011flu’nun Eyl\u00fcl 1973’te \u00e7\u0131kan ikinci kitab\u0131 “Yedi G\u00fczel Adam”, en bilinen eserlerinden biri oldu.<\/p>\n Zarifo\u011flu, Nuri Pakdil, Mehmet Akif \u0130nan, Rasim \u00d6zden\u00f6ren, Erdem Bayaz\u0131t ve Alaeddin \u00d6zden\u00f6ren ve Ali Kutlay\u2019\u0131 “Yedi G\u00fczel Adam” \u015fiirinde anlatm\u0131\u015f ve bu grubun ad\u0131 art\u0131k, “Yedi G\u00fczel Adam” olmu\u015ftu.<\/p>\n \u015eairin “\u0130ns” adl\u0131 eseri 1974’de Edebiyat Dergisi Yay\u0131nlar\u0131 aras\u0131nda \u00e7\u0131kt\u0131.<\/p>\n Cahit Zarifo\u011flu 1976\u2019da TRT Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc\u2019nde m\u00fctercim-sekreter olarak g\u00f6rev ald\u0131. Bu kurumda \u00f6nce Ankara\u2019da 1983\u2019ten sonra da \u0130stanbul Radyosunda olmak \u00fczere \u00f6l\u00fcm\u00fcne kadar \u00e7al\u0131\u015fmaya devam etti.<\/p>\n Amat\u00f6r \u00e7izimler yapan ba\u015far\u0131l\u0131 edebiyat\u00e7\u0131ya, K\u0131sak\u00fcrek’in “artist” diye seslenmesinin ard\u0131ndan, liseden itibaren “Aristo” olan lakab\u0131, “Artist” oldu.<\/p>\n \u0130\u00e7ine kapan\u0131k bir karakteri olan ve \u015fiirini temelde “\u0130kinci Yeni”nin kazan\u0131mlar\u0131 \u00fczerine kurarak bu ak\u0131mda kendi yenili\u011finin pe\u015fine d\u00fc\u015fen Zarifo\u011flu, al\u0131\u015f\u0131lmad\u0131k s\u00f6z dizimiyle, imge ve b\u00fct\u00fcnl\u00fc\u011fe verdi\u011fi \u00f6nemle, T\u00fcrk \u015fiirine kendi orijinalli\u011fini getirebilen \u015fairlerden biri oldu.<\/p>\n \u015eiir yazmakta zorlanmayan, kendi deyimiyle “ilham\u0131 ele ge\u00e7iren” Zarifo\u011flu’nun \u015fiirleri \u0130ngilizce ve Arap\u00e7aya \u00e7evrildi.<\/p>\n G\u00fcl \u00c7ocuk dergisinde de yazan Zarifo\u011flu, “\u00c7ocuklar i\u00e7in yazmak, ac\u0131lar\u0131m\u0131 azalt\u0131yor.” ifadelerini kullanm\u0131\u015ft\u0131.<\/p>\n \u015eair, pankreas kanseri nedeniyle, 7 Haziran 1987’de \u0130stanbul’da vefat etti.<\/p>\n Abdurrahman Cahit Zarifo\u011flu “Sultan” \u015fiirinde \u015f\u00f6yle seslenmi\u015fti:<\/p>\n “Se\u00e7kin bir kimse de\u011filim\/ ismimin ba\u015f harfleri acz tutuyor\/ Ba\u011f\u0131\u015flaman\u0131 dilerim<\/p>\n Sana zorsa b\u0131rak yanay\u0131m\/ Kolaysa esirgeme\/ Hayat bir bo\u015f r\u00fcyaym\u0131\u015f\/ Ge\u00e7en ibadetler \u00f6z\u00fcrl\u00fc\/ Eski g\u00fcnahlar dipdiri\/ Se\u00e7kin bir kimse de\u011filim\/ \u0130smimin ba\u015f harflerinde kimli\u011fim\/ Ba\u011f\u0131\u015flanmam\u0131 dilerim<\/p>\n Sana zorsa b\u0131rak yanay\u0131m\/ Kolaysa esirgeme\/ Hayat bo\u015f ge\u00e7ti\/ Geri kalan korkulu\/ Her ad\u0131m\u0131m dolu olsa\/ \u0130\u015fe yaramaz kat\u0131nda\/ Biliyorum “\u0130\u015faret \u00c7ocuklar\u0131”, “Yedi G\u00fczel Adam”, “Menziller”, “Korku ve Yakar\u0131\u015f”, “\u015eiirler” isminde \u015fiir kitaplar\u0131 olan Zarifo\u011flu, “Ser\u00e7eku\u015f”, “A\u011fa\u00e7kakanlar”, “Kat\u0131raslan”, “Y\u00fcrekdede ile Padi\u015fah”, “Motorlu Ku\u015f”, “K\u00fc\u00e7\u00fck \u015eehzade”, “Ku\u015flar\u0131n Dili”, “G\u00fcl\u00fcc\u00fck” ve “A\u011fa\u00e7okul” isminde \u00e7ocuk kitaplar\u0131 da kaleme ald\u0131.<\/p>\n Zarifo\u011flu, g\u00fcnl\u00fck t\u00fcr\u00fcnde “Ya\u015famak”, roman t\u00fcr\u00fcnde “Sava\u015f Ritmleri” ve “Anne” eserlerini yazarken, deneme t\u00fcr\u00fcndeki “Bir De\u011firmendir Bu D\u00fcnya” ve “Zengin Hayaller Pe\u015finde” isimleriyle toplanan eserlerinin yan\u0131 s\u0131ra, “S\u00fct\u00e7\u00fc \u0130mam” adl\u0131 tiyatro oyunununa da imza att\u0131.<\/p>\n \u015eairin \u00fcniversite tezi “Rilke’nin Roman\u0131nda Motifler” ad\u0131yla kitapla\u015ft\u0131r\u0131ld\u0131. Beyan Yay\u0131nlar\u0131 ayr\u0131ca “Konu\u015fmalar”, “Romanlar,” “Hikayeler”, “\u00c7ocuklar\u0131m\u0131zla Atlara Biniyorduk”, “Okuyucularla”, “Mektuplar” ve “Radyo Oyunlar\u0131”n\u0131 okurla bulu\u015fturdu.<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/interaktif.trthaber.com\/2022\/yediguzeladam\/wp-content\/uploads\/2022\/10\/cahit-zarifoglu-2.png” title_text=”cahit-zarifoglu” disabled_on=”on|off|off” _builder_version=”4.18.0″ _module_preset=”default” background_enable_color=”off” custom_padding=”60px|0px|100px|0px|false|false” sticky_position=”top” sticky_limit_bottom=”row” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ fullwidth=”on” disabled_on=”on|off|off” _builder_version=”4.18.0″ _module_preset=”default” custom_padding=”0px|0px|0px|0px|false|false” global_colors_info=”{}”][et_pb_fullwidth_code _builder_version=”4.18.0″ _module_preset=”default” custom_padding=”0px|0px|0px|0px|false|false” global_colors_info=”{}”] Rasim \u00d6zden\u00f6ren 1940’ta Mara\u015f\u2019ta d\u00fcnyaya geldi. \u015eair Alaeddin \u00d6zden\u00f6ren’in ikiz karde\u015fi olan yazar, Kahramanmara\u015f Lisesinde, edebiyatla yak\u0131ndan ilgili Erdem Bayaz\u0131t, Hasan Seyithano\u011flu, Sait ve Cahit Zarifo\u011flu karde\u015flerle arkada\u015f oldu.<\/p>\n \u00d6\u011frencilik y\u0131llar\u0131nda arkada\u015flar\u0131yla T\u00fcrkiye\u2019nin \u00f6nde gelen edebiyat dergilerini izleyip, yerel gazetelerde sanat sayfalar\u0131 d\u00fczenlemeye ba\u015flarken, birlikte, o d\u00f6nem yay\u0131n\u0131na ara verilen Mara\u015f Lisesinin Hamle dergisini yeniden \u00e7\u0131kard\u0131lar.<\/p>\n Usta yazar\u0131n ilk hikayesi, “Akarsu”, Varl\u0131k dergisinde 1 Ocak 1957’de \u00e7\u0131kt\u0131. Ayn\u0131 dergide, “Kasap” ve “Bay\u0131r Dereden \u00d6yk\u00fcler” adl\u0131 eserleri de yay\u0131nland\u0131. \u00d6zden\u00f6ren’in ilk hikayeleri 1957-1958 aras\u0131nda T\u00fcrk Sanat\u0131 ve Aray\u0131\u015f dergilerinde okuyucuyla bulu\u015ftu.<\/p>\n Usta kalem, edebi hayat\u0131 i\u00e7in bir d\u00f6n\u00fcm noktas\u0131 olan lise \u00f6\u011frenimini 1958’de tamamlad\u0131. “Biz hepimiz l\u00fczumundan fazla ciddiyiz.. Belki de bunun i\u00e7in mutlu olam\u0131yoruz…”<\/em><\/p>\n Sezai Karako\u00e7 ile 1962’de tan\u0131\u015fan yazar, 1964-1965’te Yeni \u0130stiklal gazetesinin sanat sayfas\u0131n\u0131 y\u00f6netti, 1950’li y\u0131llarda yazd\u0131\u011f\u0131, “Eskiyen”, “Oda”, “Yolda”, “Kan Otlar\u0131”, “Mani Olunmu\u015f Adam”, “Ricat”, “\u00c7ark”, “Sabah”, “Koridor” ve “D\u00fc\u011f\u00fcm” adl\u0131 hikayelerini ayn\u0131 sayfada yay\u0131mlad\u0131.T\u00fcrk hikayesinde yerlilik unsurunu benimseyen<\/p>\n \u00d6zden\u00f6ren, 1969’da Nuri Pakdil, Mehmet Akif \u0130nan, Erdem Bayaz\u0131t ve Alaeddin \u00d6zden\u00f6ren ile “Edebiyat” dergisinin kurucular\u0131 aras\u0131nda yer ald\u0131.<\/p>\n Akif \u0130nan ve Erdem Bayaz\u0131t gibi isimlerle 1969’da, Nuri Pakdil’in yay\u0131mlad\u0131\u011f\u0131 “Edebiyat” dergisinde yaz\u0131lar kaleme alan \u00d6zden\u00f6ren, “Kalk\u0131nma \u0130ktisad\u0131” konulu y\u00fcksek lisans \u00e7al\u0131\u015fmas\u0131 i\u00e7in 1970’te ABD’ye gitti.Usta yazar,<\/p>\n New Mexico \u00dcniversitesinde tezini tamamlayamadan geri d\u00f6nerek, Eyl\u00fcl 1971’de Ay\u015fe \u00c7alkaya ile Kahramanmara\u015f\u2019ta evlendi. \u0130kilinin, \u00d6mer \u00dcmran ile Merve ad\u0131n\u0131 verdi\u011fi iki \u00e7ocu\u011fu d\u00fcnyaya geldi.<\/p>\n Cahit Zarifo\u011flu, Mehmet Akif \u0130nan, Erdem Bayaz\u0131t ve Alaeddin \u00d6zden\u00f6ren ile 1976’n\u0131n sonunda “Mavera” dergisini kuran yazar\u0131n, hikaye ve yaz\u0131lar\u0131 Varl\u0131k, T\u00fcrk Sanat\u0131, Aray\u0131\u015f, Hamle, Dost, Soyut, Yeni \u0130stiklal, Dirili\u015f, Edebiyat, Mavera, Yeni Devir, Yeni Zemin, Yedi \u0130klim, Ka\u015fgar, Hece, Zaman, Yeni \u015eafak, Yeni D\u00f6nem’de yay\u0131mland\u0131.<\/p>\n \u00d6zden\u00f6ren, 1967’de ilk kitab\u0131 “Hastalar ve I\u015f\u0131klar”\u0131n ard\u0131ndan 1973’te “\u00c7\u00f6z\u00fclme”, 1974’te “\u00c7ok Sesli Bir \u00d6l\u00fcm” adl\u0131 kitaplar\u0131n\u0131 okuyucuyla bulu\u015fturdu. Prag\u2019da yap\u0131lan Uluslararas\u0131 TV Filmleri Yar\u0131\u015fmas\u0131\u2019nda J\u00fcri \u00d6zel \u00d6d\u00fcl\u00fc\u2019n\u00fc kazanan \u00c7ok Sesli Bir \u00d6l\u00fcm 1984’te, \u00c7\u00f6z\u00fclme ise 1973’te, televizyona film olarak uyarland\u0131. Rasim \u00d6zden\u00f6ren’in, T\u00fcrk edebiyat\u0131na damga vuran Cahit Zarifo\u011flu, Erdem Bayaz\u0131t, Nuri Pakdil, Mehmet Akif \u0130nan, Alaeddin \u00d6zden\u00f6ren ve Ali Kutlay’dan olu\u015fan 7 g\u00fczel adam aras\u0131nda yer ald\u0131\u011f\u0131 belirtiliyordu. B\u00fct\u00fcn eserleri \u0130z Yay\u0131nc\u0131l\u0131k’tan \u00e7\u0131kan usta isim en son ayl\u0131k yay\u0131mlanan Hece dergisinin yay\u0131n y\u00f6netmenli\u011fini \u00fcstlenmi\u015fti.<\/p>\n Sa\u011fl\u0131k sorunlar\u0131 nedeniyle bir s\u00fcredir Ankara \u00dcniversitesi T\u0131p Fak\u00fcltesi Hastanesi’nde tedavi g\u00f6ren Rasim \u00d6zden\u00f6ren, 82 ya\u015f\u0131nda, 23 Temmuz 2022\u2019de hayat\u0131n\u0131 kaybetti.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ fullwidth=”on” disabled_on=”on|off|off” _builder_version=”4.18.0″ _module_preset=”default” custom_padding=”0px|0px|0px|0px|false|false” global_colors_info=”{}”][et_pb_fullwidth_code _builder_version=”4.18.0″ _module_preset=”default” custom_padding=”0px|0px|0px|0px|false|false” global_colors_info=”{}”] Kahramanmara\u015f’ta 1934’te d\u00fcnyaya gelen Nuri Pakdil, ailesinin tavr\u0131 nedeniyle e\u011fitim hayat\u0131n\u0131 aral\u0131klarla s\u00fcrd\u00fcrd\u00fc. \u0130lkokuldan itibaren yazmaya ba\u015flayan Pakdil, ortaokuldayken tan\u0131\u015ft\u0131\u011f\u0131 “B\u00fcy\u00fck Do\u011fu” dergisiyle hem d\u00fc\u015f\u00fcnce ve hem de yaz\u0131 maceras\u0131na ivme kazand\u0131rd\u0131.<\/p>\n Ailesinin okumas\u0131n\u0131 istemedi\u011fini “Bir Yazar\u0131n Notlar\u0131”ndaki yaz\u0131s\u0131nda dile getiren usta edebiyat\u00e7\u0131, bu durumu \u015f\u00f6yle anlatm\u0131\u015ft\u0131:<\/p>\n “\u0130lkokulun \u00f6\u011fretisiyle, annemin babam\u0131n \u00f6\u011fretisi kanl\u0131 b\u0131\u00e7akl\u0131 sava\u015f halinde miydi birbiriyle? Ama evimize kimi g\u00fcnler oturmaya gelen o \u00e7ok sevdi\u011fim bayan \u00f6\u011fretmenimi, annem de \u00e7ok sevmez miydi? Annem, bazen bu \u00f6\u011fretmenimle de g\u00f6zya\u015flar\u0131 i\u00e7inde konu\u015fmaz m\u0131yd\u0131? \u015eu ilkokul, hep d\u00fc\u011f\u00fcm at\u0131lan acayip bir iplik miydi? Annem, babam ilkokuldan, genelde, t\u00fcm okullardan neden bu denli tiksiniyordu? Ba\u015fka kentlerde de var m\u0131yd\u0131 ilkokulu, genelde t\u00fcm bu okullar\u0131 \u00f6zde\u015f bir duyguyla g\u00f6ren anne babalar?”<\/em><\/p>\n Ortaokula 3 y\u0131l gecikmeli ba\u015flayan Pakdil, 1954 -1955 y\u0131llar\u0131nda Mara\u015f Lisesi’nde okurken, beraber e\u011fitim g\u00f6rd\u00fc\u011f\u00fc iki arkada\u015f\u0131 ile birlikte “Hamle” isimli edebiyat dergisini \u00e7\u0131kard\u0131. Bu k\u00fc\u00e7\u00fck lise dergisi Ankara’dan \u0130stanbul’a bir\u00e7ok yazar\u0131n ve \u015fairin dikkatini o d\u00f6nem \u00e7ekmi\u015fti.<\/p>\n Nuri Pakdil, Mara\u015f Lisesi’nin ard\u0131ndan \u0130stanbul Hukuk Fak\u00fcltesi’ni bitirdi. Kahramanmara\u015f’ta \u00e7\u0131kan “Demokrasiye Hizmet” ve “Gen\u00e7lik” gazetelerinde de yaz\u0131lar\u0131 yay\u0131nlanan Pakdil, bir s\u00fcre “Yeni \u0130stiklal” gazetesinde sanat sayfalar\u0131 d\u00fczenledi.<\/p>\n \u00dcniversite y\u0131llar\u0131nda aralar\u0131nda Sezai Karako\u00e7 ve Necip Faz\u0131l K\u0131sak\u00fcrek’in de bulundu\u011fu edebiyat\u00e7\u0131, sanat\u00e7\u0131 bir\u00e7ok d\u00fc\u015f\u00fcn\u00fcrle yak\u0131n ili\u015fki kurdu.<\/p>\n Nuri Pakdil, edebiyat hayat\u0131 boyunca “B\u00fcy\u00fck Do\u011fu” ve “Dirili\u015f” dergileriyle de g\u00fc\u00e7l\u00fc ba\u011flar kurdu. Bu dergilerin \u00e7evresinde ayr\u0131ca \u00e7ok say\u0131da yeni \u015fair ve yazar yeti\u015fti. Pakdil, Dirili\u015f dergisinin yay\u0131na ara verdi\u011fi ve bir daha bas\u0131l\u0131p bas\u0131lmayaca\u011f\u0131n\u0131n belli olmad\u0131\u011f\u0131 d\u00f6nemde, T\u00fcrk edebiyat\u0131nda “Yedi G\u00fczel Adam” olarak bilinen ekipten Rasim \u00d6zden\u00f6ren, Erdem Bayaz\u0131t ve Akif \u0130nan ile “Edebiyat” dergisini yay\u0131nlamaya ba\u015flad\u0131.<\/p>\n “Sab\u0131r \u00fcss\u00fc” olarak tan\u0131mlad\u0131\u011f\u0131 “Edebiyat” dergisi, 1969’un \u015eubat ay\u0131ndan 1984 Aral\u0131k’a kadar ayl\u0131k olarak okuyucuyla bulu\u015ftu. Pakdil, dergide yazanlara m\u00fcstear isimler takmakla me\u015fhurdu. Kendisinin de dergide 16 farkl\u0131 ismi bulunan Pakdil, en \u00e7ok “Ebubekir Sonumut” ad\u0131n\u0131 kulland\u0131.<\/p>\n Pakdil, bu s\u00fcre\u00e7te 1972 y\u0131l\u0131nda Edebiyat Dergisi Yay\u0131nlar\u0131’n\u0131 kurdu. Bu yay\u0131nlar\u0131n ilk kitab\u0131 Pakdil’in “Bat\u0131 Notlar\u0131” oldu. <\/p>\n \u201cH\u0131z tel\u00e2\u015f\u0131 tedirgin etti i\u00e7 sistemimizi. Belki en iyisi y\u00fcr\u00fcyerek gidilir ya\u015famaya.\u201d <\/strong><\/em><\/p>\n Pakdil, 1984 y\u0131l\u0131na kadar “Biat”, “Bat\u0131 Notlar\u0131”, “Bir Yazar\u0131n Notlar\u0131”, “Anneler ve Kud\u00fcsler”, “Klas Duru\u015f”, “Edebiyat Kulesi”, “Ba\u011flanma”, “S\u00fckut Suretinde”nin de aralar\u0131nda oldu\u011fu 18 kitap \u00e7\u0131kard\u0131.<\/p>\n Nuri Pakdil ‘in “Otel G\u00f6ren Defterler” ba\u015fl\u0131kl\u0131 6 kitaptan olu\u015fan deneme serisi 1997’den itibaren okuyucuyla bulu\u015ftu. Uzun bir d\u00f6nem otellerde ya\u015fayan Pakdil, bu seride inzivaya \u00e7ekilmi\u015f bir yazar\u0131n tahlillerini, sorgulamalar\u0131n\u0131 ve kendisiyle hesapla\u015fmalar\u0131n\u0131 kaleme ald\u0131.<\/p>\n Yazar\u0131n “Ba\u011flanma” adl\u0131 kitab\u0131 da bir\u00e7ok a\u00e7\u0131dan onun ve Edebiyat Dergisi’nin edebiyat ve d\u00fc\u015f\u00fcnsel ba\u011flam\u0131n\u0131n anla\u015f\u0131labilmesi i\u00e7in manifesto niteli\u011findeydi. Hem Orta Do\u011fu hem Bat\u0131 edebiyat\u0131ndan yapt\u0131\u011f\u0131 \u015fiir ve d\u00fc\u015f\u00fcnce yaz\u0131s\u0131 \u00e7evirileriyle edebiyat d\u00fcnyas\u0131nda fark\u0131n\u0131 ortaya koyan Pakdil, “Bir Yazar\u0131n Notlar\u0131” adl\u0131 eserinde amac\u0131n\u0131 “\u0130nsan! Seni savunuyorum; sana kar\u015f\u0131!”<\/strong><\/em> c\u00fcmlesiyle \u00f6zetlemi\u015fti.<\/p>\n ,”Benim i\u00e7in yaz\u0131 yazmak bir bak\u0131ma sava\u015fmak demektir”<\/p>\n Pakdil, devrimcili\u011finin temelini, \u0130slam’a olan sars\u0131lmaz ba\u011fl\u0131l\u0131\u011f\u0131n\u0131n olu\u015fturdu\u011funa da her zaman s\u00f6zleriyle dikkati \u00e7ekerek, \u015fu ifadeleri kullanm\u0131\u015ft\u0131:<\/p>\n “\u0130slam dini k\u0131yamete kadar s\u00fcrecek s\u00fcrekli devrim anlay\u0131\u015f\u0131n\u0131 \u00f6ng\u00f6r\u00fcr. Yery\u00fcz\u00fcnde zul\u00fcm, haks\u0131zl\u0131k, adaletsizlik var oldu\u011fu s\u00fcrece, bu zulm\u00fcn, bu haks\u0131zl\u0131\u011f\u0131n, bu adaletsizli\u011fin kayna\u011f\u0131 olan egemen g\u00fc\u00e7lerin yok edilmesi i\u00e7in, M\u00fcsl\u00fcmanlar\u0131n devrimci m\u00fccadelesi de s\u00fcrecektir. Kirli m\u00fclkiyete kar\u015f\u0131, kara siyasaya kar\u015f\u0131 devrimci sava\u015f kesintisiz s\u00fcrecektir. \u00c7\u00fcnk\u00fc \u0130slam dini bunu \u00f6ng\u00f6rmektedir. \u0130slam dini \u00f6zg\u00fcrl\u00fck\u00e7\u00fcd\u00fcr, ilericidir, devrimcidir, ba\u011f\u0131ms\u0131zd\u0131r, s\u00f6m\u00fcr\u00fcn\u00fcn her bi\u00e7imine kar\u015f\u0131d\u0131r, ba\u015fta anamalc\u0131l\u0131\u011fa kar\u015f\u0131d\u0131r, ba\u015fta yabanc\u0131la\u015fmaya kar\u015f\u0131d\u0131r \u0130slam \u00d6\u011fretisi. \u0130nsan\u0131n, yaln\u0131zca, ’eme\u011finin kar\u015f\u0131l\u0131\u011f\u0131n\u0131 yiyebilece\u011fini’ vurgular bu din.<\/em><\/p>\n Benim i\u00e7in yaz\u0131 yazmak bir bak\u0131ma sava\u015fmak demektir. \u00c7\u00fcnk\u00fc yaz\u0131lar\u0131mda, her t\u00fcrl\u00fc put\u00e7ulu\u011fa kar\u015f\u0131, her t\u00fcrl\u00fc yabanc\u0131la\u015ft\u0131rmaya kar\u015f\u0131, her t\u00fcrl\u00fc sapmalara kar\u015f\u0131 vermekte oldu\u011fum sava\u015f anlat\u0131lmaktad\u0131r. Yaz\u0131lar\u0131mda kirli m\u00fclkiyet tutkusunun insan\u0131 ele ge\u00e7irmesi anlat\u0131lmaktad\u0131r. Yaz\u0131lar\u0131m, kapitalizme ve s\u00f6m\u00fcr\u00fc d\u00fczenine kar\u015f\u0131 bir tepkiyi, bir ele\u015ftiriyi ifade etmektedir.”<\/em><\/p>\n T\u00fcrk edebiyat\u0131n\u0131n “Kud\u00fcs \u015eairi” olarak tan\u0131mlanan usta yazar, Kud\u00fcs i\u00e7in hissetti\u011fi y\u00fcrek s\u0131z\u0131s\u0131n\u0131, “Y\u00fcre\u011fimin yar\u0131s\u0131 Mekke’dir, geri kalan\u0131 da Medine’dir. \u00dcst\u00fcnde bir t\u00fcl gibi Kud\u00fcs vard\u0131r”<\/strong><\/em> ifadeleriyle kaleme d\u00f6kt\u00fc.<\/p>\n Nuri Pakdil, 2015’te 81 ya\u015f\u0131nda geldi\u011finde Kud\u00fcs’e giderek, Mescid-i Aksa’da cuma namaz\u0131 k\u0131ld\u0131 ve hayali ger\u00e7ek oldu.<\/p>\n \u0130slam d\u00fcnyas\u0131n\u0131n Kud\u00fcs’e tavr\u0131n\u0131 \u00e7ok “trajik” buldu\u011funu dile getiren Pakdil, “Zaten \u0130slam d\u00fcnyas\u0131 kendi aras\u0131nda kavgal\u0131 durumdad\u0131r ve maalesef Kud\u00fcs\u2019e y\u00f6nelme imkan\u0131 \u015fu anda g\u00f6z\u00fckm\u00fcyor. \u0130slam d\u00fcnyas\u0131n\u0131n kurtulu\u015fu ancak ve ancak T\u00fcrkiye\u2019nin aya\u011fa kalkmas\u0131yla m\u00fcmk\u00fcn olacakt\u0131r. Ben yery\u00fcz\u00fcndeki \u0130slami hareketin, T\u00fcrkiye\u2019den ba\u015flayaca\u011f\u0131na inan\u0131yorum. Bu inanc\u0131 i\u00e7imde her zaman capcanl\u0131 tutuyorum. T\u00fcrkiye\u2019deki \u0130slami uyan\u0131\u015fa b\u00fcy\u00fck \u00f6nem veriyorum.” demi\u015fti.<\/p>\n Nuri Pakdil, \u00fcst solunum yollar\u0131 enfeksiyonu nedeni ile kald\u0131r\u0131ld\u0131\u011f\u0131 Ankara \u015eehir Hastanesi’nde 18 Ekim 2019’da 85 ya\u015f\u0131ndayken hayat\u0131n\u0131 kaybetti. <\/p>\n Usta edebiyat\u00e7\u0131n\u0131n cenazesi, Hac\u0131 Bayram Veli Camisi’nden k\u0131l\u0131nan cenaze namaz\u0131n\u0131n ard\u0131ndan Taceddin Dergah\u0131’nda defnedildi.<\/p>\n Nuri Pakdil\u2019in 7 G\u00fczel Adam’\u0131n her birisi i\u00e7in bir tan\u0131mlamada bulunuyordu:<\/p>\n “Rasim \u00d6zderen denge adam\u0131, Akif \u0130nan iadam, Alaeddin \u00d6zden\u00f6ren deli fi\u015fek, Cahit Zarifo\u011flu artist, Erdem Bayaz\u0131t Beyo\u011flu beyzade\u201d<\/em><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/interaktif.trthaber.com\/2022\/yediguzeladam\/wp-content\/uploads\/2022\/10\/nuri-pakdil-1.png” title_text=”nuri-pakdil” disabled_on=”on|off|off” _builder_version=”4.18.0″ _module_preset=”default” background_enable_color=”off” custom_padding=”60px|0px|100px|0px|false|false” sticky_position=”top” sticky_limit_bottom=”row” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ fullwidth=”on” disabled_on=”on|off|off” _builder_version=”4.18.0″ _module_preset=”default” custom_padding=”0px|0px|0px|0px|false|false” global_colors_info=”{}”][et_pb_fullwidth_code _builder_version=”4.18.0″ _module_preset=”default” custom_padding=”0px|0px|0px|0px|false|false” global_colors_info=”{}”] Tam ad\u0131 Adil Erdem Bayaz\u0131t olan \u00fcnl\u00fc \u015fair, Kahramanmara\u015f’ta, 18 Aral\u0131k 1939’da d\u00fcnyaya geldi.<\/p>\n Erdem Bayaz\u0131t’\u0131n \u00e7ocukluk ve ilk gen\u00e7lik y\u0131llar\u0131 k\u0131\u015f\u0131n Mara\u015f’\u0131n Y\u00f6r\u00fckselim mahallesindeki b\u00fcy\u00fck konakta, yazlar\u0131 ise G\u00fczlek ve \u00c7a\u011fsak’taki yaylalarda do\u011fayla i\u00e7 i\u00e7e ge\u00e7ti. Daha ilkokul \u00e7a\u011flar\u0131ndayken d\u00f6nemin pop\u00fcler tarihi romanlar\u0131n\u0131 okudu.<\/p>\n Lisede Yusuf Ziya Beyzadeo\u011flu ve Mustafa Atatan\u0131r gibi \u00f6\u011frencilerine edebiyat zevki a\u015f\u0131layan \u00f6\u011fretmenlerden ders alan Bayaz\u0131t, ileride edebiyat d\u00fcnyas\u0131nda isim yapacak Cahit Zarifo\u011flu, Rasim \u00d6zden\u00f6ren, Alaeddin \u00d6zden\u00f6ren ve Mehmet Akif \u0130nan gibi okul arkada\u015flar\u0131yla olu\u015fturduklar\u0131 bir edebiyat ortam\u0131 i\u00e7inde bulundu.<\/p>\n Hen\u00fcz lise y\u0131llar\u0131nda Cahit Zarifo\u011flu, Nuri Pakdil, Rasim ve Alaeddin \u00d6zden\u00f6ren’le “Hamle” dergisini birka\u00e7 say\u0131 yay\u0131nlayan Erdem Bayaz\u0131t, yine Pakdil’in yay\u0131na haz\u0131rlad\u0131\u011f\u0131 “Hizmet” gazetesinde sanat ve edebiyat sayfas\u0131 haz\u0131rlad\u0131.<\/p>\n \u00c7e\u015fitli gazetelerde k\u00f6\u015fe yazarl\u0131\u011f\u0131 da yapan Bayaz\u0131t’\u0131n ilk \u015fiirleri 1958’de “Hamle” dergisi ve “Gen\u00e7lik” gazetesinin sanat ekinde, sonraki \u015fiir ve yaz\u0131lar\u0131 ise “B\u00fcy\u00fck Do\u011fu”, “Edebiyat”, “Mavera” ve “Yedi \u0130klim” dergilerinde yay\u0131mland\u0131.<\/p>\n Bayaz\u0131t, Ankara \u00dcniversitesi Dil ve Tarih-Co\u011frafya Fak\u00fcltesi T\u00fcrk Dili ve Edebiyat\u0131 B\u00f6l\u00fcm\u00fcne kaydolarak buradan mezun oldu.<\/p>\n Edebiyat \u00e7evrelerince “Yedi G\u00fczel Adam”dan biri olarak an\u0131lan ve “Mavera” dergisinde de yaz\u0131 i\u015fleri m\u00fcd\u00fcrl\u00fc\u011f\u00fc g\u00f6revini y\u00fcr\u00fcten \u015fairin “Sebeb Ey” isimli ilk \u015fiir kitab\u0131, 1972’de edebiyatseverlerle bulu\u015ftu.<\/p>\n \u201cZaman\u0131n idrak incisi ses d\u00f6ner d\u00f6ner d\u00f6ner de<\/p>\n Y\u00f6nelir sebebe<\/p>\n Sebeb ey.\u201d<\/p>\n Bir s\u00fcre Cumhuriyet gazetesinde muhabirlik de yapan \u015fair, Nuri Pakdil ve Necip Faz\u0131l K\u0131sak\u00fcrek ba\u015fta olmak \u00fczere Sezai Karako\u00e7 ile Fethi Gemuhluo\u011flu’ndan etkilendi.<\/p>\n Baz\u0131 \u015fiirleri \u0130ngilizceye de \u00e7evrilen Erdem Bayaz\u0131t, 1981’de arkada\u015flar\u0131yla Ajans 1400’\u00fc kurarak \u015eenol Demir\u00f6z, Y\u00fccel \u00c7akmakl\u0131, Ahmet Bayaz\u0131t, \u00c7etin Tunca, Halil \u0130brahim Sar\u0131o\u011flu ve Necdet Ta\u015f\u00e7\u0131o\u011flu’ndan olu\u015fan ekiple, Pakistan, \u0130ran, Hindistan ve Afganistan’a yolculuk yapt\u0131, belgesel filmler haz\u0131rlad\u0131.<\/p>\n Bayaz\u0131t, ayr\u0131ca 1987 y\u0131l\u0131nda Kahramanmara\u015f milletvekili olarak girdi\u011fi TBMM’nin 18. D\u00f6nem \u00e7al\u0131\u015fmalar\u0131 s\u00fcresince Milli E\u011fitim ve \u00c7evre Komisyonlar\u0131nda g\u00f6rev ald\u0131.<\/p>\n \u015eiirlerinde mesaj\u0131 \u00f6n planda tutan, \u015fiir anlay\u0131\u015f\u0131n\u0131 \u00f6ncelikle “B\u00fcy\u00fck Do\u011fu” ve Sezai Karako\u00e7’la bi\u00e7imlendiren \u015fairin kaleme ald\u0131\u011f\u0131 son \u015fiirleri ise “Risaleler” ad\u0131 alt\u0131nda 1987’de Akabe Yay\u0131nlar\u0131 taraf\u0131ndan kitapla\u015ft\u0131r\u0131ld\u0131.<\/p>\n Bayaz\u0131t bir s\u00f6yle\u015fisinde, \u015fiirini ne ama\u00e7la yazd\u0131\u011f\u0131na dair \u015fu ifadeleri kullanm\u0131\u015ft\u0131:<\/p>\n “\u015eiirim hakk\u0131ndaki olumlu olumsuz b\u00fct\u00fcn ele\u015ftirileri ve de\u011ferlendirmeleri sayg\u0131 ile kar\u015f\u0131l\u0131yorum. \u015e\u00fcphesiz en sa\u011flam h\u00fck\u00fcm zamana aittir. Bir kere daha vurgulamak gerekirse bence sanatkar varolu\u015fun hikmetini arayan ki\u015fidir. \u015eiirimi var eden tek ger\u00e7eklik budur.”<\/p>\n Usta \u015fair, yapt\u0131\u011f\u0131 iki ayl\u0131k gezide izlenimlerini toplad\u0131\u011f\u0131 “\u0130pek yolundan Afganistan’a” adl\u0131 eseriyle 1983’te T\u00fcrkiye Yazarlar Birli\u011fi Bas\u0131n \u00d6d\u00fcl\u00fc’n\u00fc kazand\u0131. 1988 y\u0131l\u0131nda “Risaleler” adl\u0131 \u015fiir kitab\u0131yla da T\u00fcrkiye Yazarlar Birli\u011fi taraf\u0131ndan \u00f6d\u00fcle de\u011fer g\u00f6r\u00fclen Bayaz\u0131t, yine TYB taraf\u0131ndan ger\u00e7ekle\u015ftirilen “T\u00fcrk\u00e7e’nin 5. Uluslararas\u0131 \u015eiir \u015e\u00f6leni” kapsam\u0131nda Yahya Kemal ad\u0131na d\u00fczenlenen b\u00fcy\u00fck \u00f6d\u00fcl\u00fcn sahibi oldu.<\/p>\n Daha sonra \u0130stanbul’a yerle\u015fen, evli ve d\u00f6rt \u00e7ocuk babas\u0131 olan Erdem Bayaz\u0131t, akci\u011fer kanseri sebebiyle 69 ya\u015f\u0131ndayken 5 Temmuz 2008’de \u0130stanbul’da vefat etti.<\/p>\n Erdem Bayaz\u0131t’\u0131n \u015fiirindeki anlam ilk olarak do\u011fa etraf\u0131nda \u00f6bekle\u015fiyor. \u0130\u00e7inde bir nahiflik de ta\u015f\u0131yan bu \u015fiirler ba\u015flang\u0131\u00e7ta y\u00fcksek perdeli bir ses tonuyla konu\u015fuyor. G\u00fcne\u015f, da\u011f, deniz gibi iri c\u00fcsseli imgelere yaslan\u0131yor. Kitleler \u00f6n\u00fcnde seslendirilmeye yatk\u0131n. Baz\u0131 imgeler ise sava\u015f metaforu etraf\u0131nda bir araya getirilmeye uygun. Ancak bu \u015fiirlerdeki sava\u015f ve ba\u015fkald\u0131r\u0131 poetik bir karakter ta\u015f\u0131yor.<\/p>\n Daha sonraki \u015fiirlerinde b\u00fct\u00fcn kabarmalar, f\u0131rt\u0131nalar, bo\u011fu\u015fmalar Allah’\u0131 an\u0131\u015fta, kalbin ritminin evrendeki b\u00fcy\u00fck ritimle bulu\u015fmas\u0131nda anlam\u0131n\u0131 bulur ve yat\u0131\u015f\u0131r. D\u0131\u015fa do\u011fru at\u0131lma ve y\u00fckselme arzular\u0131 i\u00e7e do\u011fru bir derinle\u015fmeye evrilir. \u015eiir bir \u00e7e\u015fit duaya d\u00f6n\u00fc\u015f\u00fcyor. \u201cBir yol buldum \u00f6teye ge\u00e7erek g\u00f6zlerinden<\/em><\/p>\n \u0130\u015fte yeni bir d\u00fcnya peygamber s\u00f6zlerinden<\/em><\/p>\n \u00d6l\u00fcm bize ne uzak bize ne yak\u0131n \u00f6l\u00fcm<\/em><\/p>\nLise d\u00f6nemi hayat\u0131n\u0131n d\u00f6n\u00fcm noktas\u0131<\/h3>\n
\u201cVe oturdu mu bir masaya
Hakk\u0131n\u0131 verir \u00e7ay i\u00e7menin\u201d<\/h3>\n
\u00c7izilmi\u015f itilmi\u015f resim<\/em>
Korkmadan ya\u015far tebess\u00fcm g\u00f6sterir<\/em>
A\u011f\u0131r ba\u015f\u0131yla n\u00f6bet al\u0131r<\/em>
Da\u011fdan ka\u00e7ar \u015fehri \u00e7evirir<\/em>
Ve b\u0131rak\u0131r g\u00f6nl\u00fcn\u00fc bir taz\u0131 s\u0131\u00e7ramas\u0131na\u201d<\/em><\/p>\nK\u0131sak\u00fcrek ve Karako\u00e7 etkisi<\/h3>\n
“Yedi G\u00fczel Adam” kitab\u0131 1973’te \u00e7\u0131kt\u0131<\/h3>\n
Hayat\u0131n\u0131n sonuna kadar TRT\u2019de \u00e7al\u0131\u015ft\u0131<\/h3>\n
Necip Faz\u0131l\u2019dan \u201cartist\u201d sesleni\u015fi<\/h3>\n
Ba\u011f\u0131\u015flanmam\u0131 diliyorum”<\/p>\n“Zarifo\u011flu, \u00e7ocuklu\u011fun izinde ko\u015fmu\u015ftur hep”<\/h3>\n
G\u00fcl Yeti\u015ftiren Adam:
Rasim \u00d6zden\u00f6ren<\/h1>\n\u00a0<\/h3>\n
\u201c\u0130\u00e7inizdeki \u0130slam’\u0131 g\u00f6sterin. \u00c7\u00fcnk\u00fc \u0130sl\u00e2m, sizin \u00fczerinizde g\u00f6r\u00fcnmek ister. \u0130man gizlidir, \u0130sl\u00e2m a\u00e7\u0131k. \u0130man kalbtedir, \u0130sl\u00e2m zahirde.\u201d<\/em><\/h3>\n
\u0130lk hikayesi Varl\u0131k’ta 1957’de yay\u0131nland\u0131<\/h3>\n
\u00dcniversite \u00f6\u011frenimi dolay\u0131s\u0131yla ailesiyle \u0130stanbul\u2019a ta\u015f\u0131nan \u00d6zden\u00f6ren, \u0130stanbul \u00dcniversitesinde, \u0130ktisat Fak\u00fcltesi Gazetecilik Enstit\u00fcs\u00fcn\u00fc 1964’te, Hukuk Fak\u00fcltesini ise 1967’de bitirdi.<\/p>\n1969’da Edebiyat dergisinde yaz\u0131lar\u0131 yay\u0131nland\u0131<\/h3>\n
7 G\u00fczel Adam’dan biri<\/h3>\n
Yazar\u0131n “\u00c7arp\u0131lm\u0131\u015flar” kitab\u0131 1977’de, “G\u00fcl Yeti\u015ftiren Adam” roman\u0131 1979’da, “Denize A\u00e7\u0131lan Kap\u0131” eseri 1983’te, Hz. Yusuf k\u0131ssas\u0131ndan yola \u00e7\u0131karak kaleme ald\u0131\u011f\u0131 “Kuyu” 1999’da, “Ans\u0131z\u0131n Yola \u00c7\u0131kmak” ile “H\u0131\u015f\u0131rt\u0131” 2000’de, “Toz” ise 2002’de okuyucuyla bulu\u015ftu.<\/p>\n
\u0130\u00e7erikte medeniyetten, gelenekselden ve maneviyattan kopu\u015fun do\u011furdu\u011fu \u00e7eli\u015fkileri, \u00e7\u00f6z\u00fclmeleri, buhranlar\u0131 anlatan yazar modern okumalar e\u015fli\u011finde tezini sa\u011flamla\u015ft\u0131rd\u0131. \u00d6zden\u00f6ren\u2019in geleneksel ve modern harmanlamas\u0131 diline de sirayet etti.<\/p>\nYedi G\u00fczel Adam\u2019\u0131n a\u011fabeyi:
Nuri Pakdil<\/h1>\n”Y\u00fcre\u011fimin yar\u0131s\u0131 Mekke’dir, geri kalan\u0131 da Medine’dir. <\/em>
\u00dcst\u00fcnde bir t\u00fcl gibi Kud\u00fcs vard\u0131r.”<\/em><\/h3>\nLise y\u0131llar\u0131nda “Hamle” dergisini \u00e7\u0131kard\u0131<\/h3>\n
Yedi G\u00fczel Adam ile Edebiyat dergisini \u00e7\u0131kard\u0131<\/h3>\n
1984 y\u0131l\u0131na kadar 18 kitap \u00e7\u0131kard\u0131<\/h3>\n
Kitaplar\u0131yla deneme t\u00fcr\u00fcn\u00fcn ustalar\u0131ndan<\/h3>\n
Kud\u00fcs’\u00fcne 81 ya\u015f\u0131nda kavu\u015ftu<\/h3>\n
T\u00fcrkiye\u2019deki \u0130slami uyan\u0131\u015fa b\u00fcy\u00fck \u00f6nem veriyorum<\/h3>\n
Varolu\u015fun hikmetini arayan ki\u015fi:
Erdem Bayaz\u0131t<\/h1>\n\u201c\u00d6n\u00fcn\u00fc alam\u0131yorum bu k\u00f6r gidi\u015flerin yollarda<\/em><\/h3>\n
Herkes bir yere gidiyor \u00f6n\u00fcn\u00fc alam\u0131yorum<\/em><\/h3>\n
\u00c7aresiz direniyorum bu d\u00f6n\u00fcm noktalar\u0131nda kimse elini uzatm\u0131yor<\/em><\/h3>\n
Bir g\u00fcr\u00fclt\u00fcl\u00fc ya\u015fama\u011fa gidiyor d\u00fcnya bo\u015falan<\/em>
bir deniz gibi<\/em><\/h3>\nBu sesler orman\u0131nda kaybolan bir \u00e7a\u011f bu\u201d<\/em><\/h3>\n
\u0130lk \u015fiirleri 1958’de “Hamle” dergisinde yay\u0131mland\u0131<\/h3>\n
Sebeb Ey<\/h3>\n
\u201c\u0130pekyolu\u2019ndan Afganistan\u2019a\u201d<\/h3>\n
Sanatkar varolu\u015fun hikmetini arayan ki\u015fidir<\/h3>\n
Akci\u011fer kanseri sebebiyle 69 ya\u015f\u0131nda hayat\u0131n\u0131 kaybetti<\/h3>\n
“Erdem Bayaz\u0131t’\u0131n tarz\u0131nda \u015fiir bir \u00e7e\u015fit duaya d\u00f6n\u00fc\u015f\u00fcr”<\/h3>\n
Erdem Bayaz\u0131t\u2019\u0131n Bulmak \u015fiirinden bir al\u0131nt\u0131:<\/p>\n